EDUCATION
Gallatin School at New York University: Self designed M.A.
The Cooper Union School of Art, NYC, 1999-2003
The Art Students League of New York, with Peter Cox, NYC, 1998, ’99
ONE PERSON EXHIBITS
Élan Fine Arts, Rockland, ME, 2005
The Cooper Union, NYC, 2003
Sea Studio Gallery, Tenants Harbor, ME, 2002
GROUP EXHIBITIONS
Courthouse Gallery Fine Art, Ellsworth, ME, 2009
Courthouse Gallery Fine Art, curated by Bruce Brown, Ellsworth, ME, 2008
Episcopal Church and the Visual Arts, Trinity Wall Street, NYC, 2007
Center for Maine Contemporary Art, Rockport, ME, 2007
Élan Fine Arts, Rockport, ME, 2006, ’05
Center for Maine Contemporary Art, Rockport, ME, 2006, juried exhibit.
Union of Maine Visual Artists, Rockport, ME, 2006
St. Paul’s Chapel, NYC, 2002
Episcopal Church and the Visual Arts Society, NYC, 2002
The Cooper Union, NYC, 2001, curated by Susanna Coffey
Sea Studio Gallery, Tenants Harbor, ME, 2001
The Cooper Union, NYC, 2000, ’01, ’02,’03
Gleason Fine Art, Camden, ME, 2000, ’01, ’02
AWARDS AND HONORS
Marilyn and James Rockefeller Scholarship: Artist Grant, Maine Community Foundation, Ellsworth, ME, 2009
Clark Foundation Fellowship: 2003-2007, The Clark Foundation, NYC, 2007
Gallatin Merit Award: 2004-2006, New York University, NYC, 2006
Interviewed: WCSH NBC Channel 6’s “207” 9/11 memorial programming, Portland, ME, 2006
Featured Artist: West Ohio Healing Fields, Maria Stein, OH, 2006
Key Note Lecturer and Exhibitor: Agape 2005 Symposium, New York University, NYC, 2005
Women and Philanthropy Conference, The Greater Cincinnati Foundation, Cincinnati, OH, 2005
Seminar Leader, “Beauty for Ashes: Rebuilding after 9/11,” Soulfest 2004, Loon Mt, NH, 2004
Panel Speaker, General Conversation of the Episcopal Church, Minneapolis, MN, 2003
Senior Commencement Speaker: Class of 2003, The Cooper Union School of Art, NYC, 2003
Commencement Address: guest speaker, Webutuck High School, Amenia, NY, 2003
Model: Eileen Fisher Fall 2003 ad campaign, “Women Change for the World Every Day,” 2003
Top 10 College Women of 2002: Glamour Magazine (Feature: October 2002 issue), 2003
Only Female Member: Cooper Union men’s varsity basketball team, 1999-2003 seasons, 2003
Cooper Union Scholar-Athlete Ambassador of the Year, 2002,’03
Senior co-captain: Cooper Union men’s varsity basketball team, 2003
Featured in ESPN the Magazine, The New York Times, and HBOs Real Sports with Bryant Gumble, 2003
Honored at a dinner with coaching legend John Wooden
Panel Representative: “The Nobel Experiment: College Academics and Athletics,” The History
and Cultural Significance of Basketball Conference, St. Francis College, NYC, 2003
Featured: NYC Channel 2 CBSNews “Hometown Hero” segment, 12/24/2002
Molly Levenstein Scholar: The Cooper Union School of Art, NYC, 2002
Durbin Scholar: The Cooper Union School of Art, NYC, 2001
Herb Lubalin Award: The Cooper Union School of Art, NYC, 1999
COMMISSIONS AND CREATIVE PROJECTS
(September 14, 2001- May 31,2002)
Artist in Residence: St. Paul’s Chapel at Ground Zero NYC. Directed creative projects; secured donated supplies, volunteers, work space, and transportation work from these projeccts featured by CNN, The New York Times, Newsweek, The National Cathedral in Washington, D, Trinity Wall Street in NYC, and has been reproduced in countless publications and photo essays across the country. Photo Documentrarian of the Ground Zero relief effort at St. Paul’s.
(February 2002- Project Completion: May 2003)
Commissioned to crete edition of seven memorial communion chalices from salvaged WTC steel
Secured a private grant for research at the Vatican Museum. Coordinated the technical, artistic, and financial community that supported the project, working with eleven different parties including individual artists, a marine construction company, a steel galvanizing company, the New York Mayor’s Office, and the New York Historical Society. Chalices included in the collections of St. Paul’s Chapel (featured in the permanent exhibit “Unwavering Spirit”) NYC; The New York Historical Society, NYC (featured in the “Recent Acquisitions” show, March 2003); The Cathedral of St. John the Divine, NYC; the parish of Maiano, Florence, Italy; and in the private collection of patron Massimo Ferragamo, NYC
(March 4, 2004- May 19, 2004)
Toured Cross-Country speaking about and exhibiting the chalice created for St. Paul’s. Planned itinerary, secured funding and traveled 11,150 miles from Maine to Pheonix, AZ Spoke over 40 times in 13 states about the chalice project and experiences at Ground Zero; engagements with various business, civic, religious, and education communities included: Duke University Divinity School, Durham, NC, Embry-Riddle Aeronautical University’s Catholic Student Group, Daytona Beach, FL, Witt Industries and The Greater Cincinnati Foundation Women’s Fund, Cincinnati, OH, Gunlocke Library, Wayland, NY, Hyde Park United Methodist Church, Tampa, FL, St. Henry High School, St. Henry, OH (audience of 700), The chalice project and pilgrimage has been covered widely in various newspapers across the country.
(December 2003)
Mural Commission: Private Residence, Playa Junquillal, Costa Rica (Dec 2005)
Fundraiser Branding: “Derek’s Journey,” Camden, Maine
(March 2007- Current)
Collaborative Project: commissioned 50 artists and writers (including Susanna Coffey, James Traub, Alan Crichton, Irwin Kremen, and Bruce Herman) to re-imagine individual paper debris pieces salvaged from Ground Zero in Lower Manhattan. Project proposal secured acceptance to NYU’s Gallatin Graduate School and funding
Secured Marilyn & James Rockefeller scholarship to complete framing of collection. Traveling exhibition of project will begin Spring 2011
Maine Home + Design
March 2010
Way of Seeing
Windows, with their rich metaphorical implications, have long been a popular subject of artists. Picasso said, “I paint a window, just as I look through a window. If this window when open doesn’t look good in my picture, I draw a curtain and close it as I would have done in my room. One must act in painting as in life, directly.”
Jessica Stammen, a young artist from Camden, so closely identifies with this Picasso quote that she includes it in an introduction to her work. Over the past several years, she has been creating a series of window paintings, including Looking Out, that reveal her intense, personal engagement with the complex, often mysterious, act of seeing.
Using the rectilinear grid of the windowpanes as a matrix for her compositions, Stammen presents the viewer with mingled realities. Inside and outside merge in the compressed space of the picture plane, rendering near and far indistinguishable. Similarly, dark shadows and bright highlights play off one another, throwing solidity and transparency into question. The artist seems to be asking: What is here and what is there? How much can we really understand about this experience we call reality?
Drawing inspiration from her daily surroundings, Stammen’s paintings probe the boundaries between visual representation and metaphysical concerns. “Daily I am drawn into the simple act of looking from inside to out, always trying to get both at the same time,” she says. “It’s both inspiring and challenging to set one’s focus somewhere between the physical mechanics of sight and the framework of imagination, desire, or memory.”
On September 11, 2001, Stammen was attending the Cooper Union in New York City. Her experience as a volunteer following the collapse of the towers led her to create an ongoing collaborative art project with forty international writers and artists. While divergent in form from her window paintings, the Twin Towers project is further evidence of this young artist’s keen intelligence and deeply reflective nature.
Jessica Stammen received her BFA from the Cooper Union in 2003 and her MA from the Gallatin School of Individualized Study at New York University in 2008. Her work has been shown in a number of group and solo exhibitions in New York and Maine, and she is a recipient of a Clark Foundation Fellowship and Gallatin Merit Award. She is represented by Courthouse Gallery in Ellsworth and Dowling Walsh in Rockland.
[read more]